All posts tagged as photograph

14 Nov

Brilliant

In William Carr Collection by admwil / November 14, 2011 / 0 Comments

 

Photographers have a love of spontaneity.

An image captured with just a single click.

Just that one single click that freezes time.

But, I am a photographer who shares that love of spontaneity with a love of returning to the past, to places I have been before. A lonely beach in Polynesia. The ruins of an ancient castle in Austria. The sense memory of perfume wafting over a field of lavender in Provence. Pondering the music of the stones at an ancient Native American site.

So, it is with the thought of revisiting and reacquainting myself that I return to Oregon every Fall. I return to revisit my sensory memories and to renew them.

I load up my 4wd and head out, up to Oregon for a four day shoot. Fall seems to have come early this year. There’s a definite bite in the air and the birds are sparse. They’ve headed south weeks ago, leaving just a few hungry strays lingering.

I stop frequently to see the ocean, venturing out on the towering cliffs. The mist has a chill in it, a salty taste of the approaching winter.

I drive a narrow coastal route, remote and still. I stop for lunch and to wade the tide pools that are tucked like pockets into the bottom of the cliffs. Nestled into remote beaches and caves, they glimmer like dark jewels protected by towering walls.

I head inland, passing miles of trees. Their leaves have turned a fiery red as per the seasonal decree of Mother Nature. They stand in stark contrast to to the dark and gloomy day that surrounds us.

On the third day, I came upon an amazing tree. I had to capture it.

An ancient Japanese Maple, it was in the final days of a glorious and fiery display, a spectacular collage of deepening autumn hues. It stood like a timeless patriarch in a secret garden of scarlet and crimson, it’s beautiful branches bending like the arms of a dancer.

The challenge now was in finding the light. The day was overcast and dark like all the mornings so far. It was chilly and damp, dark and gloomy. It was nothing like the blazing tree in front of me.

I studied the best way to bring to light the magestic stature of grace and strength of this iconic tree. I juggled my camera  from a hundred different angles, hoping that some sun would seep in from somewhere. There just was not enough light.

And , as I was trying to capture the image from all these angles, an amazing thing happened.

The sun broke throught with a beam of pure white light.

Starlight.

I felt a shudder, a sense of elation.

Something magical had just happened.

It was Brilliant, my latest release.

12 Oct

First Snow

In William Carr Collection by admwil / October 12, 2011 / 0 Comments

 

Peak fall color arrived in southern Utah this week above 8000 feet but there was a grim forecast, calling for oodles of heavy rain. Feeling optimistic I set out with my gear knowing that if the snow level dropped, I could get fruit loops color together with a fresh mantle of snow.

I got on the road to the Kolob Terrace and started to climb.

The road got snowier.
The fog and low clouds made pea soup.

That wasn’t gonna work so I blindly continued on until I reached 9000 ft.

A stand of aspens suddenly appeared mixed with every color of the rainbow.

There was an Aspen stacked fence, perfectly positioned, completing the composition.

These days it is oh so rare when earthly elements  align themselves
and speak “ this is art”.

21 Sep

Castaway

In William Carr Collection by admwil / September 21, 2011 / 0 Comments

 

My plane cut down through a fluff of clouds. When it emerged, it revealed a stretch of blue water miles across. Afternoon was falling on the Cook Islands with a golden glow that reached from French Polynesia to the East and Tonga to the West. As the plane descended towards a single  narrow landing strip, we could see boats crossing through small breaks in the barrier reefs.

The ocean went on forever. There are no land masses between these tropical islands and Antartica. Just water. Very blue water. And, it sparkled like diamonds and mercury glass shaken together.

We landed, grabbed our gear and headed out to capture the afternoon light.  A seaplane dropped us at one of the most beautiful lagoons in the world,  the legendary Aitutaki.

As a photographer, I am really just an artist who paints with light.  My brush is a high definition capture system.  The amazing color spectrum of the lagoon was my palette, in complete harmony with my vision.

I approached, hoping to hold the Universe in limbo for just an anxious second.

As I was shooting , a light summer rain begin to fall, chased out to sea by the summer trade winds. The sky cleared and I captured a perfectly pristine image of solitary oneness. A Castaway in Paradise.

This image became  my newest release, Castaway.


Original music by William Carr

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